Thank you for being here and taking the time to read this.

I am still working on finding a distribution deal for the film in order to secure commercial rights for all the artwork.

However, unfortunately there's always a chance this doesn't happen.
If so, then by May/June 2018, I would like the opportunity to release the film online for free,
so that it can be accessible to interested audiences around the world.

For this, I need your permission.

Below is the current updated list of the artwork in the film for which I have been able to secure this permission.

I hope that you will allow me to add your artwork to the list.
Every work of art and architecture in this film is essential, connecting the 5 cities and forming recurring visual themes.
I will be building a section on the website where the artwork will be elegantly presented, with links to their artist's website/galleries.

The reaction I've had from those who've seen the film leads me to believe it is worth sharing with the world.
So if distributors don't make it happen, I hope at the end of the day, with your permission, I can. 

Feel free to contact me at any time if you have any questions or requests. Thank you,

Olivier Wright
[email protected]
CLICK HERE FOR PRIVATE LINK TO THE CURRENT EDIT OF THE FILM
L’Araignée Rouge, (1976) by Alexander Calder, Paris-La Défense

The Red Spider was commissioned in 1974 by EPAD as part of it's strategy to host public artwork from major international artists. The Red Spider is 15 meters high, 25 meters long and weighs more than 60 tons.  

​Alexander Calder (1898 –1976) was an American sculptor known as the originator of the mobile a type of moving sculpture made with delicately balanced or suspended shapes that move in response to touch or air currents. In contrast, Calder’s monumental stationary sculptures are called stabiles.  
"Homage to Jerusalem" (1977), by Alexander Calder, Jerusalem

Homage to Jerusalem was the last great outdoor sculpture created by Alexander Calder (1898-1976). Calder's outdoor sculptures, which were created on a grand scale from bolted sheet steel grace public plazas in cities throughout the world. Homage to Jerusalem is a red-painted, multi-arched sculpture that frames the Judean Hills. He conceived the work on his visit to Jerusalem in 1975 and, after returning to his studio in Sache, France, chose the precise location and angle at which he wanted the sculpture erected. The sculpture was completed after the artist's death in 1976 and installed in 1977 on Mount Herzl with The Jerusalem Foundation.
Four Arches (1974) by Alexander Calder, Los Angeles

This is a landmark in downtown Los Angeles and became part of the Security Pacific National Bank collection.

In 1987, the Calder Foundation was established by Calder's family. The foundation "is dedicated to collecting, exhibiting, preserving, and interpreting the art and archives of Alexander Calder and is charged with an unmatched collection of his works."
Le pouce (1994) by César Baldaccini, Paris-La Défense

Le Pouce (The Thumb) is a 12-meter high, 18-ton monumental bronze mould of artist César Baldaccini's thumb, commissionned by EPAD in 1994.

César Baldaccini (1921 – 1998) was a noted French sculptor. He was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects.
Really Good (2016) by David Shrigley, London

'Really Good' is a sculpture representing a 7m-high hand with a long thumb cast in bronze. It was unveiled by London Mayor Sadiq Khan as the new artwork occupying the fourth plinth at London's Trafalgar Square. 

​David Shrigley (born 1968) is a British visual artist. He was nominated for the Turner Prize in 2013 and is acclaimed for his bold and opinionated drawings, animations and sculptures that explore the absurdity of 21st-century society.
For the Tree of the Field is Man's Life (2003), by Zadok Ben-David, Yad Vashem, Israel

"For the Tree of the Field is Man's Life" comes originally from Deuteronomy 20:19 but in contemporary Israeli culture is linked to the poem by Natan Zach. It is made up of approximately 600 hand-sculpted figures of men, women and children, each different from the others. 

​Zadok Ben-David (born 1949) is an Israeli, London based, award-winning artist. He graduated in advanced sculpture from St. Martin’s School of Art in London and taught at the same institution from 1977-1982.
Railway Tree (1996) Malcolm Robertson, London

Malcolm Robertson's proposal was to use stainless steel 'skeletal forms in a spatial way to create a tree-like structure in an area bereft of natural landscaping'. Seven upright groups of steel girders, fashioned to look like railway tracks, set within a circle of colored pavement slabs incorporating the points of the compass and circular decorative motifs - a star, umbrellas, birds, leaves, etc. 

Malcolm Robertson is a Scottish sculptor. He has created an extensive portfolio of site specific artworks in a wide variety of materials in the UK, Germany, India and the USA.
Ommatidium, Samuel Wilkinson & ​Beau Lotto, London 

Ommatidium is a 4.5 metre-tall sculpture made from 1,500 glass crystal prisms that react with daylight. In conjunction with the sculpture is app called Traces that allows people to send messages and information to a location, rather than a person, which means that anyone walking underneath the canopy can connect to a hub of multimedia.

Samuel Wilkinson is a British designer who has worked on projects for leading clients such as British Airways, Audi, LG, Samsung, and Virgin Airways.

Dr Beau Lotto is a neuroscientist whose studies in human perception have taken him into the fields of education, the arts and business.
Reflection (2001) by Antony Gormley, London

The two life-size figures are located opposite each other inside and outside 350 Euston Road, Regent’s Place. Gromley has said: “I am looking to concentrate a moment of being. My primary subject is my body: the only bit of the material world that I inhabit completely. The idea is to capture a moment of being. […]" 

Sir Antony Gormley, OBE (born 1950) is a British sculptor. In 2008 The Daily Telegraph ranked Gormley number 4 in their list of the "100 most powerful people in British culture". Gormley has populated cities and coasts with his altered replicas and found innovative ways of placing his forms in architectural spaces.
Endless V by Jaume Plensa - Beverly Hills
Endless V is a 8-foot stainless steel sculpture created in 2012 by Spanish artist Jaume Plensa symbolizing the body and mind. Plensa has other similar sculptures in Tokyo, Shanghai, Antibes, Frankfurt.

Jaume Plensa was born in 1955 in Barcelona. He has been a teacher at the École nationale supérieure des Beaux-Arts in Paris and regularly cooperates with the School of the Art Institute of Chicago. 
Tindaro  (1997) by Igor Mitoraj, Paris-La Défense

This massive bronze sculpture of Tyndareus was erected in 1997 in front of the KPMG building, but was removed in 2015.

​Igor Mitoraj (1944 – 2014) was a Polish-French artist born in Germany. Mitoraj's sculptural style introduced a post-modern twist with ostentatiously truncated limbs, emphasizing the damage sustained by most genuine classical sculptures. As he put it, “I feel that a piece of arm or a leg speak far more strongly than a whole body.” 
La Vénus des Arts (1992), by Arman, Paris

"The Venus of the Arts" is a bronze sculpture that illustrates art in all its forms, represented by an assembly of various slices of a feminine body with elements of different arts: a cello, a painting frame and books. Her face is the result of interlacing two different faces: the Venus de Milo and a Benin bronze. Arman thus mixes traditional African and modern European facial archetypes. ​

Arman (1928 – 2005), whose full name was Armand Fernandez, was a French-born American artist. He is best known for his "accumulations" and destruction/recomposition of objects.
Turning the World Upside Down (2010), by Anish KapoorI, The Israeli Museum, Jerusalem

Built out of highly polished stainless steel, the large hourglass-shaped object stands at a height of 5.0 meters. It reflects and reverses the Jerusalem sky and the museum's landscape.

Sir Anish Kapoor, CBE RA (born 12 March 1954) is a British-Indian sculptor. Since 1995, he has worked with the highly reflective surface of polished stainless steel. These works are mirror-like, reflecting or distorting the viewer and surroundings.
Ole No. 22 (1990s), P. Karjula & M. Vuokola, Helsinki

'Olo no. 22' comprises more than 50 polished steel spheres of various sizes, placed in the area surrounding the harbour basin in Hietalahti, at the western end of Bulevardi.

Pasi Karjula lives and works in Helsinki. He studied at Kankaanpää Art School and at the Finnish Academy of Fine Arts in 1986–91.

Marko Vuokola is a Finnish conceptual artist. He graduated from The Academy of Fine Arts Helsinki. 
Sépharades (1985), Pol Bury, Paris

Sépharades are two fountains installed since 1985 in the Cours d'Orléans courtyard within the Palais-Royal palace in Paris. They are an conglomeration of stainless steel globes.

Pol Bury (1922 – 2005) was a Belgian sculptor and painter. Among his most famous works is the fountain-sculpture L'Octagon, located in San Francisco. in 1985, Bury received Paris's Grand Prix National de Sculpture.
Inflated Star and Wooden Star, by Frank Stella, London

​The 7-meter tall sculpture, titled Inflated Star and Wooden Star (2014), is made of aluminium and teak wood. The contrasting materials create a sense of tension, as if the elements of the work are simultaneously repelled and attracted to each other, trapped in an invisible force field. It was on display in 2015 in the courtyard of the Royal Academy of Arts, in London.

Frank Stella (born 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. 
Sibelius Monument (1967), by Eila Hiltunen, Helsinki

The Sibleius Monument, one of Helsinki's landmarks, was created to honor national composer Jean Sibelius (1865-1957). Finland's first abstract public monument, the main part of the Sibelius Monument consists of approx. 600 acid-proof stainless steel tubes of various diameters, welded together individually and hand-textured by Eila Hiltunen.

Eila Hiltunen (1922 – 2003) was a Finnish sculptor.  Eila finished her high school during the war, studied sculpture at The Finnish Art Academy and twice won the top academic prize for sculpture before graduation.
Homage to Sibelius,(1967), by Eila Hiltunen, Paris

The work "Homage to Sibelius" is a small-scale model of the Sibelius Monument in Helsinki. As the last and definitive model, it is the one from which measurements were taken for the final work. It can be found in one of the interior patios of the UNESCO headquarters in Paris. Another smaller version stands on the grounds of the United Nations headquarters in New York City.
East Window (2008), Shirazeh Houshiary, London

East Window (made in collaboration with architect Pip Horne) is located in the Church of St. Martin in the Fields, in Trafalgar Square. When speaking about her work, Houshiary says: “The universe is in a process of disintegration. Everything is in a state of erosion, and yet we try to stabilize it. This tension fascinates me and it's at the core of my work."

Shirazeh Houshiary was born  in Shiraz in 1955. She began her career as a sculptor and came later to painting and multimedia installation. Nominated for the Turner Prize in 1994, her work is collected by museums ranging from Tate and the Guggenheim,.
Doubles lignes indéterminées (1988), by Bernar Venet, Paris-La Défense

"Two Indeterminate Lines" is a muonumental steel art installation commissioned by the EPAD.

Bernar Venet (born 1941) is a French conceptual artist who has exhibited his works in various locations around the world. In the 1960s he was close to the New Realists. ​In 2005, Venet received the title of Chevalier de La Legion d’Honneur, France’s highest honour. 
Quantum Cloud​ (1999), by Antony Gormley, London 

​The Quantum Cloud is a 30m-tall contemporary sculpture, a collection of tetrahedral units made from 1.5 m long sections of steel. These sections were arranged using a computer model with a random walk algorithm starting from points on the surface of an enlarged figure based on Gormley's body that forms a residual outline at the centre of the sculpture.

Sir Antony Gormley, OBE (born 1950) is a British sculptor. In 2008 The Daily Telegraph ranked Gormley number 4 in their list of the "100 most powerful people in British culture". Gormley has populated cities and coasts with his altered replicas and found innovative ways of placing his forms in architectural spaces.
L’Heure de tous (1985), by Arman, Paris

"L'heure de tous" is a sculpture located in the Havre court (Court du Havre) in front of the St Lazare train station in Paris. It was made in 1985 and is a series of accumulated bronze clocks.

Arman (1928 – 2005) was a French-born American artist. He is best known for his "accumulations" and destruction/recomposition of objects, such as "L'Heure de tous."
King’s Cross Station, John McAslan + Partners

King's Cross railway station is a major London railway terminus which opened in 1852 on the northern edge of central London. In 2005, a £500 million restoration plan was announced. The new departures concourse was designed by John McAslan & Partners, and opened to the public on 19 March 2012, in advance of the 2012 London Olympics. The concourse rises some 20m and spans the full 150m-length of the existing Grade I Listed Western Range, comprising of 16 steel tree form columns that radiate from an expressive, tapered central funnel. It is Europe’s largest single span station structure and has become an iconic crossroads of London, linking St Pancras Station, Thameslink services, London Underground, taxis and bus services, and accommodating up to 150,000 passengers daily. 
The Chords Bridge (2008), by Santiago Calavantra, Jerusalem

The bridge an the West entrance of Jerusalem consists of a single 118-metre (129 yd) high mast supporting the roadway via 66 steel cables counterbalancing a 160-metre (170 yd) span with lengths of cables, making it the tallest structure in Jerusalem at the time of its completion. 

Santiago Calatrava Valls (born 1951) is a Spanish neofuturistic architect, structural engineer, sculptor and painter. Calatrava has defined his style as bridging the division between structural engineering and architecture. 
(Placé) sur un point fixe, (Pris) depuis un point fixe n° 717  (1992), by Lawrence Weiner, Paris

In English: "(Put) on a Fixed Point (Taken) from a Fixed Point no 717" is a work of conceptual are located in the Tuileries Gardens of the Louvre.

Lawrence Weiner (born 1942) is one of the central figures in the formation of conceptual art in the 1960s. For him, written words are the best form of presentation of his work. 
Double Ascension by Herbet Bayer, Los Angeles

Commissioned in 1973 by ARCO, it was originally titled "Stairway to Nowhere."

​Herbert Bayer (1900 – 1985) was an Austrian and American graphic designer, painter, photographer, sculptor, art director, environmental and interior designer, and architect, who was widely recognized as the last living member of the Bauhaus.
"La Fontaine des Quatre Parties du Monde" (1874) Jean-Baptiste Carpeaux, Paris

This monumental fountain is in the Jardin Marco Polo, south of the Jardin du Luxembourg in Paris.  "The Fountain of the Four Parts of the World" - each part of the world is embodied by its female figures, representing Europe, Asia, Africa and America. 

Jean-Baptiste Carpeaux (1827 – 1875) was a French sculptor and painter during the Second Empire under Napoleon III.
Young Atlases (1903), by Frederick W. Pomeroy, London

This bronze sculpture's full name is Young Atlases with Armillary Sphere and Zodiacal Globe. It was made in 1901-1903 by Frederick William Pomeroy (1856 –1924). It stands atop Electra House at 84 Moorgate, a building which is notable as the wartime London base of Cable & Wireless Limited and is now part of the London Metropolitan University. ​​The sculpture shows four boys holding an armillary sphere. Frederick William Pomeroy RA (1856 – 1924) was a prolific British sculptor of architectural and monumental works.